第78节
【】udishangihe
horizon.thisiscalledinese”firstpoliteness,andtheny
abouttorevoltenth”rruption”and”sellingthe
untrytoitsereadroitlychargesthe
rebellingpartyto”operateforpead”fortheunityofthenation,””because
iesvenearer
andheclashinglineanddigdeeperarehepartythatfindsa
bettersoundiheeyesofthepublic.thedeadlanguagetherefore
beissiblesolongasyoucallitbythe
e.
soinstaheeseliteraryfihefolloial
goventearkedonapoli,itfourely
cleverplybanningintaxing,”andthedisveryofthat
sloganalonecarriedthepolicythroughasnoanpossiblyuld.he
entreveditscapitalfroankingtoloyangfollohe
shanghairesistance.”insze
sooftheerstoplantopiuandhadthecleveessto
erstoplant
opiuretly,thesaprovincehasprodueaxcalled”goodax,”i.e.,
arataxontopofthoseestheregularfarax,aboutgoodhepeopleandthesoldiersbypayingthesoldiers
andkingitunneyfurthertohelptheelves.thatiswhy,
ongourselves,thefndevilsfortheir
”silendedness.”
suchliterarycatastrophesarepossibleonlyinanationbelievinginafalseliterary
standard,andareinfactrelytheresultoftheethodofteag
positioninprirysodeanha
literaryatrocity,lydoeitherofthings.first,hetakethetraditional
vieeratureandblandlyregarditaspurebelleslettres,hneedhaveno
rrelatiosheingissupposedtonvey梐ndthenread
betustdendaatioweenwordsand
thoughtandaneorecapableofexpressing
nslifeandthoughts.iregardtheprevalenh
verbosestatentsasalpraereofaliterarythanofapoliticalin.buthe
stalsobelievethatunlesssuchliterarylpraesare,political
lpraesstalsofollow.
vii.literaryrevolution
aliteraryrevolutionein1917,led
bydr.hushihauhsiu,advogtheuseofthespokenlanguageasthe
literarydiuthereherrevolutionsbeforethis.hanyuiang
dynastyhadrevoltedagainsttheeuphuisticstyleofthefifthandsixthturies,and
advoplestyle,bringingitbacktoasaerarystandardand
givingusarereadableprose.butitotheearlyliteratureofthe
ghoudynasty.thisitate
theas,anditeasy.afterhanyii,literaryfashionsfluctuatedbetween
itatingtheghouperiodandthehanperiod,andself
bee,atdifferenttis,a
greatperioditselfforitationthesungpeopleitatedthetangs,andthe
ngandgitatedthetangsandsungs.
literaryfashioions.
onlyaslateastheendofthesixteeurydidthereriseanhat
”depeopleshouldodelanguage,”shhoutasound
historitive.thisogetherhhisthers.yuan
daredtoinrporateerurseandevenslangwordsinhisprose,
andforatiheobtainedgreatliteraryvogue,haschooloffollowersknownas
thekunganseofyiiansdistrict.itoo,who
advoalandstylistiventions.itwas
heyour”yourpen.itedapersonal,
individualisticstyle,believingthatliteraturetheexpressionofones
personality,hsingling,berepressed.
buttheuseofnpladslahodox
urtcritidthisauthorreceivednothingexceptepithetslike”frivolity,”
”inelegance,””unorthodoxy,”inallhistoriesofliterature.onlyaslateas1934was
thisfouhepersonalstyleofpartialortotaloblivion.
yuanalsoneverhadtheurage,ortheinsight,toadvocatetheuseofpekhua,orthe
veaculartongue,ining.ithertheersofpopulaovelswhohad
givenupallaitiontoliteraryfaahepehkuato
ketheiovelsintelligibletothepublicthatlaidthetruefoundationofliteraturein
thelivingtongue.nsequently,ediu
hehad,asherepeatedlyinsisted,thegroundfor
nearlyathousandyearsbytheses,andpeopleediuad
readyfirst.hespletesuessinthe
spaceofthreeorfouryears.
tportantgesfolloheliteraryrevolution.first,thecultivationofthe
personal,faliarstyleofing,represehechoubrhoutsojenand
ghoushujen”lusin”,itishatghoutsojenlyinfluencedby
theschoolofyuanghunglang.thesendgehesocalled
”europeanizationofese”insyntaxaser
asitisiableier.theintroduofsisonlynatural,for
oldteraxenotadequatetorepresentdec
...
horizon.thisiscalledinese”firstpoliteness,andtheny
abouttorevoltenth”rruption”and”sellingthe
untrytoitsereadroitlychargesthe
rebellingpartyto”operateforpead”fortheunityofthenation,””because
iesvenearer
andheclashinglineanddigdeeperarehepartythatfindsa
bettersoundiheeyesofthepublic.thedeadlanguagetherefore
beissiblesolongasyoucallitbythe
e.
soinstaheeseliteraryfihefolloial
goventearkedonapoli,itfourely
cleverplybanningintaxing,”andthedisveryofthat
sloganalonecarriedthepolicythroughasnoanpossiblyuld.he
entreveditscapitalfroankingtoloyangfollohe
shanghairesistance.”insze
sooftheerstoplantopiuandhadthecleveessto
erstoplant
opiuretly,thesaprovincehasprodueaxcalled”goodax,”i.e.,
arataxontopofthoseestheregularfarax,aboutgoodhepeopleandthesoldiersbypayingthesoldiers
andkingitunneyfurthertohelptheelves.thatiswhy,
ongourselves,thefndevilsfortheir
”silendedness.”
suchliterarycatastrophesarepossibleonlyinanationbelievinginafalseliterary
standard,andareinfactrelytheresultoftheethodofteag
positioninprirysodeanha
literaryatrocity,lydoeitherofthings.first,hetakethetraditional
vieeratureandblandlyregarditaspurebelleslettres,hneedhaveno
rrelatiosheingissupposedtonvey梐ndthenread
betustdendaatioweenwordsand
thoughtandaneorecapableofexpressing
nslifeandthoughts.iregardtheprevalenh
verbosestatentsasalpraereofaliterarythanofapoliticalin.buthe
stalsobelievethatunlesssuchliterarylpraesare,political
lpraesstalsofollow.
vii.literaryrevolution
aliteraryrevolutionein1917,led
bydr.hushihauhsiu,advogtheuseofthespokenlanguageasthe
literarydiuthereherrevolutionsbeforethis.hanyuiang
dynastyhadrevoltedagainsttheeuphuisticstyleofthefifthandsixthturies,and
advoplestyle,bringingitbacktoasaerarystandardand
givingusarereadableprose.butitotheearlyliteratureofthe
ghoudynasty.thisitate
theas,anditeasy.afterhanyii,literaryfashionsfluctuatedbetween
itatingtheghouperiodandthehanperiod,andself
bee,atdifferenttis,a
greatperioditselfforitationthesungpeopleitatedthetangs,andthe
ngandgitatedthetangsandsungs.
literaryfashioions.
onlyaslateastheendofthesixteeurydidthereriseanhat
”depeopleshouldodelanguage,”shhoutasound
historitive.thisogetherhhisthers.yuan
daredtoinrporateerurseandevenslangwordsinhisprose,
andforatiheobtainedgreatliteraryvogue,haschooloffollowersknownas
thekunganseofyiiansdistrict.itoo,who
advoalandstylistiventions.itwas
heyour”yourpen.itedapersonal,
individualisticstyle,believingthatliteraturetheexpressionofones
personality,hsingling,berepressed.
buttheuseofnpladslahodox
urtcritidthisauthorreceivednothingexceptepithetslike”frivolity,”
”inelegance,””unorthodoxy,”inallhistoriesofliterature.onlyaslateas1934was
thisfouhepersonalstyleofpartialortotaloblivion.
yuanalsoneverhadtheurage,ortheinsight,toadvocatetheuseofpekhua,orthe
veaculartongue,ining.ithertheersofpopulaovelswhohad
givenupallaitiontoliteraryfaahepehkuato
ketheiovelsintelligibletothepublicthatlaidthetruefoundationofliteraturein
thelivingtongue.nsequently,ediu
hehad,asherepeatedlyinsisted,thegroundfor
nearlyathousandyearsbytheses,andpeopleediuad
readyfirst.hespletesuessinthe
spaceofthreeorfouryears.
tportantgesfolloheliteraryrevolution.first,thecultivationofthe
personal,faliarstyleofing,represehechoubrhoutsojenand
ghoushujen”lusin”,itishatghoutsojenlyinfluencedby
theschoolofyuanghunglang.thesendgehesocalled
”europeanizationofese”insyntaxaser
asitisiableier.theintroduofsisonlynatural,for
oldteraxenotadequatetorepresentdec
...